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Satie’s First
Gymnopédie -- Unbent
Like most of Satie’s
music, Satie’s first Gymnopédie is like a toy which was slightly bent
during shipping. It can easily be be bent back into something easier to
listen to.
Here’s how to do it.
1. Instead of
the odd, floating, quarter-note+half-note left hand, put in a nice
oom-pah-pah waltz accompaniment.
2. Major
seventh chords are dissonant. Get rid of them.
3. Get rid of
the 3rd-inversion minor-seventh chords by moving the bass up a
step.
4.
Non-harmonic tones have normal ways of resolving. There are a lot of
non-non-harmonic tones in this piece. Get rid of them even though that
means you have to change the melody a bit.
5. There’s no
real reason for the left hand to play while the right hand isn’t playing.
Cut out a few measures.
6. The last
half of the piece is in the Dorian mode. With a few accidentals you cab
change it into major, or preferably minor. The two big cadences should be
changed to dominant seventh --> tonic minor.
7. About
five chords lack thirds. Put them in so the listener doesn’t get confused
or upset.
8. The melody
should start either on the downbeat or else on a third-beat pickup note.
As it is, the left hand and the right hand seem disconnected, and the
melody doesn’t know where it’s supposed to be going. People humming this
piece will often spontaneously change a quarter note into a half note to
make things line up right, thus correcting Satie’s error.
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I am emersonj at gmail dot com.
Original materials copyright John J
Emerson
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